Classical Guitar
at
Loyola College in Maryland

There are many wonderful reasons to study classical guitar: personal expression, enrichment, discipline, and connection to a great musical culture. As Alan Watts once observed, "We don't dance just to get across the room!". At Loyola, classical guitar study is available to both majors and non-majors; students with little or no background in guitar are eligible for lessons. As a liberal arts college, we are in the unique position of offering intensive study for the professionally oriented student, as well as fullfilling our mission of teaching the whole person-thus lessons are not restricted only to majors. The pursuit of instrumental studies is a long and rewarding endeavor.

The guitar program at Loyola is focused and individualized. The first step in one's development is determining goals. What does the student wish to accomplish? What are the musical goals? These are important issues to be addressed before beginning lessons. Lessons can then be structured and balanced so as to achieve optimal development toward their goals. While I have strong ideas as to what constitutes a smooth and gradual development, I always try to keep in mind the aspirations of the student, so both our goals are met.

We focus on the building a strong technical and musical foundation. In the early stages, one naturally spends a good deal of time learning ease of movement, positioning, and concepts of how to work and progress efficiently. However, at the earliest possible time, concepts of interperatation are introduced - always striving to keep in mind how and why music is expressive and alive. This is accomplished through close attention to both the physical skills and the musical/emotional demands of a work. My goal is to help the student acquire the skills to teach and think for themselves - so that they may continue to grow, develop, and solve their musical problems on their own long after they have left Loyola.

One of the resources I use for all levels is Ricardo Iznaola's Kitharolgus, a remarkable book which contains a wealth of material. For beginning levels of development, Aaron Shearer's Learning the Classic Guitar is used, supplemented with repertoire from the Royal Conservatory Series. Beyond that, repertoire is chosen from a wide variety of styles, taking into account the students needs, and wherever possible, stylistic preferences.

Students are encouraged to participate in Guitar Ensemble. It is an excellent way to put into practice the musical/interpretive ideas set forth in lessons. Even those at modest levels of development benefit greatly from the experience of making music with others.


Classical Guitar Scholarship:
Begun in the Fall of 1998, the Classical Guitar Scholarship provides remission of the applied music fee $1,000/year. There are two scholarships: one for Frehman/Sophomore and one for Junior/Senior levels. If you are awarded a scholarship in the Freshman year, it would continue for the Sophomre year; the same is true for the Junior level scholarship. After completing the Freshman/Sophomore level, one would need to re-apply for the Junior/Senior. Students receiving the scholarship are required to maintain a 3.0 GPA, and participate in the Guitar Ensemble each semester.


Performance Oppurtunities:
Both on and off campus, there are a variety of performing venues. For Music Majors, there are Junior and Senior recitals. For non-majors, we have at least one student recital a semester (for all instrumentalists); as well, I have at least one guitar ensemble/solo cocert each year. Guitarists are welcome, and encouraged to participate in the Chamber Ensemble, where they perform with other instrumentalists. These performances all take place in the Fina Arts Recital, a small gem of a performing space. It seats 60 or so, has lovely acoustics, and is a pleasant space to hear and perform music.
Off campus, the Baltimore Classical Guitar Society (see link below) has open recitals for anyone who wishes to play.I am in the process of lining up performances for my ensembles in places where people might not have a chance hear music: retirement communities, hospitals, and community centers serving the less fortunate in our city. Service is a large part of a Loyola education; this gives us a wonderful opportunity to share our good fortune, hard work, and love for music with others.


Other Resources:
Baltimore is a great city for guitar activity. The Baltimore Classical Guitar Society has a concert series each season of 4-5 concerts. Recent performers have included the Los Angeles Guitar Quartet, Manuel Barrueco, the Assad Brothers, and David Russell.
On the Loyola campus there are numerous guitar activities for soloists and ensembles; guest artists come to campus to give recitals: this past year the guitar/piano duo of Glenn and Beth Caluda, and Douglas James gave enthusiastically received perfomances. For the 1999-2000 season we will present Micheal Cedric Smith and Dennis Koster; in addition, I will be giving a full recital on campus this year.
There are also concerts and masterclasses at Peabody Conservatory which are open to the public.
Add to this the many chamber music series, and the highly regarded Baltimore Symphony Orchestra, and you have a wonderful environment in which to pursure the study of music.

Here are great sites to visit for music in Baltimore:

The Baltimore Classical Guitar Society

The Baltimore Symphony Orchestra

The Baltimore Opera Company

Shriver Hall Concert Series

Other great sites:

The Guitar Foundation of America

Rob Levit, teacher of Jazz Guitar at Loyola.

Just Classical Guitar Archive (great links!)

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